6
Channel sphere surround
@Recent times,
multi channel (surround) sound recording is not unusual.
It is said that reproducibility of the sound field is satisfactory. Really I try hearing, but I feel there
are no ceiling and no floor. (I cannot understand, whether living in the room
or outdoors). I think it is the unnatural playback sound. Depending on the
channel of the top and bottom added (6 channel sphere surround), the solution
was tried.@
Here, problem is the
expedient. Regarding to the multi channel systems generally,
a) The equipment and material which can handle the multi channels.
b) The compatibility which utilizes sound source property.
c) Arrangement, and interference of speaker.
And so on it is
the case that it is problem, but this time, the result which was examined,
until recently the equipment and material and being diversion possible, it made
the matrix system sound source property it is many, a) b) probably can supply
fault sufficiently.
If it is matrix system, reappearance and to be cheapness and easy, until
now, objective appraisal to be little, it is the reason which also value of
experiment being large selects.
As for
encoding system of the matrix, CBS SONY SQ system (later, the SQ) with the
Sansui QS system (later, QS), in addition, the rear exists monaural (3
channel) Dolby system, and so on various systems.
The among
these, normal position possibility, not be located on 4 speaker centers, by the
fact that it expands, the QS which has the possibility where it can handle the
only top and bottom sound field information was designated as transmission
system of 6 channel system.
I produced a decoder with the QS/SQ/QS6ch logic this time and evaluated
those methods and a difference of having logic or not.
The commentary of the decoder with the QS/SQ/QS6ch logic
@@@@@The following, block diagram and the
connection diagram.
@
EAn equalizer circuit
The RIAA equalizer circuit is a
Kaneta-style initial version (simple). @The sorting of first grade FET is
required.
EA matrix decode circuit
EA
QS method@F @In the front, in the addition, the rear, as for the subtraction and
the backward channel, it is +90 degrees, -90 degrees phase shifting with 1/ γ 2
(0.414) according to the standard each.
EAn
SQ method@F @The frequency characteristic of the backward right and left
channel does not become same, and and phase becomes the asymmetry when I decode
it according to the standard. @The backward channel operates it between -45
degrees and +45 degrees not 0 degrees and 90 degrees to prevent this.@
EA
QS6ch method@F @The all around channel is a QS method. @A top and bottom channel
is a backward channel of the SQ method.
EA sound source direction
distinction circuit
EA
QS method@F @It is direction distinction from the front left and the backward
right volume ratio, the front right and the backward left volume ratio.
EAn
SQ method@F @It is direction distinction from the volume ratio of front right
and left, the volume ratio of the front wrong way and the volume ratio of
before and after.
EA
QS6ch method@F @It is direction distinction from the front left and the
backward right volume ratio, the front right and the backward left volume
ratio, the volume ratio of the top and bottom.
As for the volume ratio, is LED
the band pass of two signals (sorted it); after logarithm conversion, both waves
rectification for a difference of both. @By the addition between two signals
and the minute noise addition, I prevent false distinction in the minute signal
beforehand.
@
EA directionality emphasis
circuit
EA
QS logic method@F @I add a crosstalk ingredient occurring to the channel of
both sides of the sound source direction as a reverse correlative person in
charge and cancel it.
EAn
SQ logic method@F @A sound source does 90 degrees phase shifting of the
crosstalk ingredient of the backward right and left channel in the case of
front right and left channel, the front in the case of the rear and I add it as
a reverse correlative person in charge and cancel it.
EA
QS6ch logic method@F @I add the front left and the backward right, the front
right and the backward left crosstalk ingredient as a reverse correlative
person in charge, and a sound source cancels it in the case of the top and
bottom. In addition, I add the
crosstalk ingredient of the top and bottom as a reverse correlative person in
charge, and a sound source cancels it in the case of circumference. iBut, as for this QS6ch logic, a sound
source does not cancel the crosstalk with a simple model at the time of truth
right truth leftj
In addition, the
applied voltage of FET of the VCR element prevents distorted Μ increase by less
than 1Vp-p, the source voltage return to the gate voltage.
The comparison of each method
@An audition room is Western-style
room 10 tatamis. The speaker is FE87 of Shinano. The all around speaker is
height of the room corner ear.
@The sound source is a sound. The
hearing of the sound image when I let circumference (zero degree, +-22.5
degrees, +-45 degrees, +-90 degrees, +-112.5 degrees, +-135 degrees, 180 degrees)
do normal position with a bread pot. And it is the level of each method and
crosstalk, a calculation value of the phase (counterclockwise direction gets
worse).
The audition comparison of four channel methods
@EA discrete method
@I hear the rear approaches forward when turning to the front, and right and left do not do normal position at all. It is clogged up and understands that I cannot recognize a normal position position definitely (at a limit of the human ability) even if it is a discrete method pro-temporary law, ideal.
@EA QS method
@Case without the logic, rear sound field approach forward, and the sound image of the just beside moves forward, and normal position (the rear in particular) becomes sweet. Even if I get narrow, the sound field becomes it and similar sound field / normal position in comparison with the discrete method. It is right and left asymmetry, but does not understand it only for the feeling that I heard closely. When there was a logic, the separation improvement of the corner was mainly seen. @However, unlike the SQ method to mention later, there is not the big difference by the logic presence so that originally there is some selectivity.
@EAn SQ (symmetric improvement) method
@By a case without the logic, the standard method, right and left asymmetry reason, the sound image of the front center moved to the around 10 degrees right side topologically, but improvement of the symmetricalness of right and left was seen because I did it with the method that considered a symmetry this time.@ However, the front and back most do not divide it, and the backward sound image is very indistinct, too, and the plasticity of the sound field is bad at allIn addition, I become normal position lack of foresight when phase relations between the channel strongly move some positions of the head. When there was a logic, the dramatic separation improvement of the corner was thought to be front and back. @Because small volume becomes monaural, in front and back, I hear the sound image is more stable than the QS method that mentioned above.
@EA QS6 channel method
@Crosstalk increases by a case without the logic, the increase of the sound source (but the separation is better than the SQ method), and the sound field becomes considerably small. @Front and back do not do a reverse aspect reason, normal position of the sound of the bottom. When there was a logic, the separation improvement of the corner, improvement of the separation of the top and bottom were seen. @The sound of the bottom does normal position, too. @But there is a difficulty for the distinction of the sound source direction, emphasis, and some noises occur at the time of the movement of the top and bottom sound image now.
A future problem, a summary
@By a natural audio and past recording material and compatibility were high, and it was inexpensive, and, by this experiment, a beginning of the many channels reproducing system realization that I could build was seen. I repeat experiments such as the improvement of the circuit, the straight record and want to perform further inspection in future.